Audio/Acoustics

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=====Hearing=====
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(Engl. auditory system; hearing): The auditory system is an organ system that is listening. In humans, is generally a peripheral auditorisches system and a key distinction.
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=====noise=====
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(Engl. noise; noise): A noise is an irregular, intermittent or statistically random vibration. A noise can continue stable, unstable, or pulse.
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When a noise is to DIN 1320 is a sound signal, which usually does not constitute a sound event characterized as Machinery and vehicle noise. From this definition, the random, disorderly nature of noise out because it is Tongemische, composed of many individual sounds together. The noise is therefore an audible signal with a number of frequencies, between which there is no a legal context, as example at the sound of the case. Even when there may be periodic noises operations individual tones emerge, through which a wide band marked noise overlaid share. Such individual tones increase the effect of noise interference and are therefore substantially in the measurement result by a so-called Tonzuschlag.
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=====speed=====
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(Engl. velocity, speed): Speed is a vector of temporal change of the geographic location of a particle in relation to a specified reference point. The amount of the vector is derived from the ratio of the previous path (Wegabschnitt) of a particle (linear movement) and the necessary time (period).
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:(changing the place) / (change of time) = (later position - former position) / Δ t
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:v = (f (t + Δ t) - f (t)) / (Δ t) is the average speed.
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If the amount of the time constant speed (average), is the movement as a uniform. For a description of the instantaneous velocity (speed moment) a ungleichförmigen movement is the average speed to increasingly smaller time interval. If you go after 0 Delta, obtains:
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:v = lim (Δ t to 0) (f (t Δ t) - f (t)) / (Δ t)
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* Note: If the reference point trägheitslos, the speed often called the relative speed.
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=====speed level=====
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(Engl. velocity level; speed level): The speed level (in decibels) of a sound is 20 times the logarithm to the base 10 of the ratio of particles speed of sound to a reference-speed particles. The reference particles speed must be explicitly.
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=====equal tempered scale=====
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(Engl. equally tempered scale; equal tempered scale): An equal tempered scale is a musical scale, caused by the breakdown of the octave into a certain number (usually 12) equal intervals to distante (cents).
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* Note: the division follows a geometric series.
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=====cutoff, rated, top, bottom=====
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(Engl. nominal upper and lower cutoff frequencies; cutoff): The upper and lower (nominal) cut a filter Druchlaßbereiches (Paßband) are those frequencies above and below the maximum output frequency of a filter, where the output of a signal to sinusoidalen 3 dB below the maximum value.
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=====fundamental frequency=====
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(Engl. fundamental frequency; fundamental frequency): The fundamental frequency of a periodic size is the frequency of that component sinusoidalen the same period as the regular size.
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Revision as of 15:12, 11 May 2008

Note
This article is not completed. Most of this page is automatically translated from german. Alphabetical sort order is not correct.

Jump to: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Contents

A

decay time

Decay time (ger. Abfallzeit) is the time that elapses in which the sound pressure level (or any other characteristic given) by a value drops to another, both values, the starting value and the target must be explicitly set out. A common unit for the description of the decay time of sound is per second decibels (dB / s).

  • Note 1: The decay constant characterizes the exponential course of the sound decay after the sound source was stopped (unit: s-1).
  • Note 2: If p0 the effective pressure at time t = 0 and p(t) the effective pressure at time t, and both follow the relationship: p(t) = p0 * ek * t then k is the decay constant.
absolute hearing

see #absolute pitch

absolute pitch

Absolute pitch (ger. Absolutes Gehör) is a person's ability to pitch (identify) any clear sine tone frequency (musical note) without an external reference.

  • Remark: The identification of emerging permissible error variance has to be specified (see Perfect pitch).
  • Remark: Mostly a musical note is identified not a frequency value.
adaptation

Adaptation (ger. Adaption) ...

Adaptive psychophysical method

A psychophysical adaptive method (ger. adaptive psychophysikalische Methode) is primarily for the determination of thresholds set up for this procedure is the charm size depending on the response of the subject to the previously stated charm. The size can be a stimulus) under the direct control of the subject, or b) it is the investigator adjusted depending on the number of previously delivered right or wrong answers.

chord

A chord (Engl. chord) consists of three or more simultaneously erklingenden notes. In general use, the individual components three or four half away (small, large third; triad, Tetrachord, Sept chord).

  • Note: The harmony without taking into account the intervals is called cluster [Moorer, 1975].
chord progress exceeded

Fort chord exceeded (Engl. chord progression) is a sequence of chords, a Fort homorhythmische misuse of sounds, from complex tones are compounded (musically: notes). [PAR]

chord fundamental

A chord fundamental (English bass fondamentale) is a physically non-existent, hinzugedachter tone in Baßlage, see Virtual pitch. [TER]

chord class

Under a chord chords class (English class chord) is those whose grades only by the Chroma (pitch-class).

  • Note: examples of a chord class: CEG, c2-e2-g2 or g1-e2-c3. The chords can be inverted or doubled (see Stimmakkord? .. Chord mood?).
chord final position

Final chord position (Engl. chord close-position), the mood is a chord class with the lowest and the highest grade less than an octave away. [PAR]

Acoustics
  1. Acoustics (Engl. Acoustics) is the science of sound, including its production, transmission and effects.
  2. The acoustics of a space is the totality of those properties that a particular sound field characteristics, and thus a sensation cause hearing.
acoustically

The qualifying word acoustic properties (Engl. acoustic, acoustical) means producing, arising from, as updated by, in relation to, or associated with sound, in short, the sound on. In English acoustic used in the technical sense, if the term should refer to something that is compatible with the properties, size or physical characteristics of the sound waves associated. Acoustical is needed if the qualifying term is not explicitly such properties, size or physical characteristics. The distinction between acoustic and acoustical is not in German.

  • Note 1: Examples of the name are acoustic physical terms such as impedance, Inertanz, cargo, sound power, energy, wave, medium, signal transmission, absorption, transmission, etc.
  • Note 2: acoustical is used, if not directly a physical reference is to be created, such as: Society, method, engineering, education, glossary, a symbol, problem, measurement, point of view, use, investment, standards, etc.
Acoustic reflex

(Engl. stapedius reflex, tensor tympani reflex), see Stapedius, Tensor Tympani

Acoustic trauma

An acoustic trauma (Engl. acoustic trauma) is a violation of the ear, caused by a sudden and intense acoustic charm of a temporary hearing loss or permantenten to some extent.

  • Note 1: Explosionsknalle or other intense noise events are examples of such stimuli.
Acoustic shadow

see sound shadow

Acoustic scattering

Acoustic scattering (Engl. acoustic scattering) is the irregular reflection, refraction or diffraction a sound in many directions.

algorithm

Algorithm (Engl. Algorithm; algorithm): An algorithm is a systematic procedure for evaluating a mathematical function; quantitative model. [PAR]

Allpaß network

Allpaß Network (Engl. All-pass network; Allpaß Network): A Allpaß Network is a network, which phase shifts or time delays introduced without a significant slowdown at any frequency cause.

Amplitude

Amplitude (Engl. amplitude; amplitude): amplitude is the peak (peak) value of a function, see Peak, RMS, Average amplitude.

Amplitude spectrum

Amplitude spectrum (Engl. amplitude spectrum; amplitude spectrum): The amplitude spectrum of a time is a function describing the same in their components, each with a different frequency and (usually) different amplitude (see spectrum, phase spectrum).

Anacusis

Anacusis (syn deafness).

Analysis

Analysis (Sheet Analysis; analysis): The term analysis is in the psycho-acoustics mainly used in the following context: a) spectral analysis and time, b) Analytical listening and c) Musical analysis. [PAR]

Analytical Listen

Analytical Listening (Engl. analytical listening; Analytical listening): analytical listening is the way a sound sensation in one or more components of a complex sinusoidale Tones (sound) diskriminativ be heard, the sensation of sinusoidalen components outweigh the overall sensation of sound allowing several pitches simultaneously heard. The ratios between the different pitches are affected more by commonality pitch by pitch as close. [PAR]

Anchor attraction

Anchor attraction (Engl. anchor sound; anchor attraction): Under the anchor attraction is the invariant attraction, which - usually in a psychoacoustic experiment - with a number of stimuli compared, in one or more stimulus sizes differ. [PAR]

Antiphasig

Antiphasig (Engl. Antiphasic; Antiphasig): Antiphasig refers to the condition in which the stage or the time difference of the signal, which is offered each ear, is a fixed, different from 0 value of the phase or the time difference a noise at each Ear is different.

  • Note: An example of a antiphasige condition is such that when the phase of the signal in one ear, relative to other vice versa (opposition), while the phase noise in both ears is offered.
Anti-resonance

Anti-resonance (Engl. antiresonance; anti-resonance): For a system in forced anti-vibration resonance exists at a point when even the smallest change in the excitation frequency an increase in system response (response) at this point causes.

Mean value

Mean value (Eng: arithmetic mean, average): See mean.

Atonal

Atonal (Engl. atonal; Atonal): With atonal music that is described in the harmonious relationships should be avoided (eg Zwölftonmusik), it follows that little or no sensation of a tonal center. [PAR]

Attitude

Attitude (Engl. attitude; Attitude): Different way of a sound sensation, for example: analytical versus holistic, spontaneous, versus inzidentell willingly, intentional, etc. [PAR]

Attribute

Attribute (Engl. audio frequency; audio frequency): An audio frequency is every frequency to a normally audible sound wave.

  1. The range of audio frequencies is (roughly) between 15 Hz and 20000 Hz
  2. The word audio can also be used to a device or a system to designate which in the field of audio frequencies; example: audio amplifier.
Audio grams thresholds

Audiogram, emerging audio grams (Engl. audiogram, audiogram threshold; audio grams): An audio grams is a curve, the hearing loss as a function of frequency.

Audio grams masking

Audiogram, masking audio grams (Engl. masking audiogram; audio grams, Maskierungs): A mask audiogram is a graphical representation of masking the noise by a particular cause. The curve shows the masking in dB as a function of frequency of the masked sound.

Aurale Harmonic

Aurale Harmonic (Engl. aural harmonic; Aurale Harmonic): See harmonics, aurale.

Auditiv

Auditiv (Engl. auditory, auditory; Auditiv): The qualifying property auditory word means hearing relating to the hearing related gehörmäßig.

Auditorisches System (Engl. auditory system; Auditorisch). Psychophysiologisches system, ear, auditory nerve (Engl. auditory nerve), and auditory pathway cortex (Engl. auditory pathway, auditory area;), including where the hearing process expires.

Auditori rulers electricity

Auditori rulers current (Engl. auditory stream; Auditori current ruler): In the hearing sensation to gestalthaften elements zusammenfaßbare Warhnehmungsinhalte, the horizontal (ie in their time) deliberately structured.

  • Note: Auditory streaming improves the visibility of complex signals, with relevant and irrelevant information parameters separately processed.

B

bandwidth

The nominal bandwidth (ger. Bandbreite) of a filter is given by the difference between the upper and the lower cut-off-frequency. This difference may be expressed (1) in Hertz, (2) as percentage of the center frequency of the pass-band or (3) as the interval defined by the upper and lower cut-off-frequency in octaves (i.e. 1 octave, 1/3 octave)

  • Remark: For more definitions see also USA Standard Method for Specifying the Characteristics of Analyzers Used for the Analysis of Sounds and Vibrations, Z24.15-1955
band power level

The band power level (ger. Band-Leistungspegel) of a sound for a specific wave band is the sound power level of a sound within a limited wave band.

band pressure level

The band pressure level (ger. Band-Schallpegel) of a sound for a specific wave band is the sound pressure level of a sound within a limited wave band.

  • Remark: The wave band may be specified by its lower and upper cut-off-frequency or by its pass-band and the bandwidth. The bandwidth of the band may be specified as follows: octave-band (sound) pressure, half-octave-band pressure, third-octave-band pressure, 50-Hz-band pressure.
Acceleration

(Engl. acceleration; acceleration): acceleration is a vector of the change of speed.

Bark

(Engl. Bark, Bark): Bark is the unity of the Tonheit. The frequency bandwidth of a frequency group (critical band), 1 Bark (named after Barkhausen).

  • Note: The scale of the Tonheit in Bark can from the frequency in Hz approximated calculated as follows (frequency (f) in kHz, arctan in Radiant):
  • Zc / Bark = 13 arctan (0.76 f / kHz) + 3.5 arctan (f / 7.5 kHz) 2
bass

(English bass; bass): Lowest note a chord (see chord root); low frequency or pitch register. [PAR]

Binaural

(Engl. binaural; Binaural): Binaural refers to beidohriges hearing.

Binaural Schwebungen

(Engl. binaural beats; Schwebungen, binaural): Under binauralen Schwebungen is the phenomenon that two (primary) sounds using frequencies f1 and f2, each ear separately offered a periodic change in the degree of Lateralisation generate the rate of Change is done with the Schwebungsfrequenz of the resulting Sekundärtones (f1 - f2), see also Drehton. [BEK]

Binaural Diplakusis

(Engl. binaural diplacusis; Diplakusis, binaural): Under the condition otologischen Binaural Diplakusis calls a sine wave same frequency a different pitch in one ear and out the other.

  • Note: Binaural Diplakusis is a lesser extent also in normal hearing.
Binaurales Trading Ratio

(Engl. binaural trading ratio; Binaurales Trading Ratio): The Binaural trading ratio is the size, which is determined by adjusting the arrival time and / or pressure levels of the two ears dichotisch presented stimuli, so the sound lateralisiert to the median level of the head. The Binaural trading ratio is formed from the interauralen time difference in microseconds divided by the sound pressure level in decibels difference.

C

cut-off-frequency

The cutoff frequency (ger. Grenzfrequenz, Eckfrequenz) is the frequency nearest to the center frequency where the level exceeds ±3dB.

Cent

(Engl. cents; cents): The cent is an interval between two tones with a fundamental frequency ratio of zwölfhundertsten root of the 2nd

  • Note 1: The interval in between two cents 1200mal frequencies is the logarithm to the base 2 of the frequency relationship. Therefore, equal to 12 cents in 1200 equal to half tempered tones, like a octave.
  • Note 2:
Cents = 1200. log2 (f2 / f1) = 3.986. log10 (f2 / f1)
Cents = 1200. log10 (f2 / f1) / log10 (2)
chroma

(Engl. chroma; chroma): Chroma is a pitch-class without specification of Oktavregisters, the interval in between semitones of the pitch and the nächtstieferen category C is as follows: Chroma of C3 is 0, Des5 1, is of F4 5, etc. [PAR]

Chromatischer circle

(Engl. chroma cycle; chroma): Musiktheoretisches construct of Chroma, a Uhrziffernblatt emulated with C at 12h, Cis in 1h, D 2h etc. [PAR]

chroma saturation

(Engl. chroma salience; chroma): perceptual measure of the importance of a certain Chroma in a musical sound or sound in a sequence, perceived by the average listener or ideal. [PAR]

chroma-census

(Engl. chroma tally; chroma): Calculated average Chroma noticed how often; measure of the chroma saturation.

Chroma probability

(Engl. chroma probability; chroma): Calculated probability of a chroma noticed; measure of the chroma saturation.

chromatic scale

(Engl. chromatic scale; chroma): pitch scale with 12 categories in nearly the same distance within the octave; bercumaural scale; Circumaural). Circumaural refers to the condition: the ear umschließend (eg circumaurale headphones).

D

decacy time

decay time (ger. Abfallzeit) In general it is the time between a sound pressure level and a lower sound pressure level. Both levels have to be defined explicitly. It is also useful to describe the decay time as speed of lowering sound pressure level (db/sec).

  • Note1: The decay time constant characterizes the exponential decacy of sound after stopping the sound source (Unit: s-1).
  • Note2: If p0 is the effective sound pressure after stopping the sound source at t = 0 and p(t) is the effective sound pressure level at t, and p(t) = p0*e-k*t is imperative, then k is the decay constant.
Damping

(Engl. damping; damping): Decay is the transformation (dissipation) of a form of energy into another over time or distance.

decibels

(Engl. Decibel; decibels): The decibel is a tenth of a Bel. The decibel is a unit of a level if the base of the 10th logarithm Root of 10 is the appropriate and proportional to the size performance.

  • Note 1: Examples of such sizes: performance (any form), sound pressure squared, particle velocity squared, sound intensity, sound energy density, voltage squared, therefore, is a unit of the decibel sound squared (actually: the level of sound pressure squared), at the practice is simply the expression of sound pressure level used when no likelihood of confusion.
  • Note 2: The logarithm to the base of the 10th Root of 10 is equal to 10 times the logarithm to the base 10; eg applies to the number X2: log10 (1 / 10) X2 = 10 log10 X2 = 20 log10 X. The last term is normally used definition of sound.
  • Note 3 examples: 1 decibels is the sound pressure level of an equal dem10 (1 / 20) times the reference pressure; r decibels is the level of a pressure equal to the r/20) 10 (times the reference pressure, etc.
  • See also Computing with decibels.
decibels

(A), (dB (A) A rating): The human ear sounds feels the same pressure, depending on the frequency (pitch) differently loud. Thus, relatively high sounds louder than felt deep tones. To wahrnehmungsgetreue metrological collection of noises to allow the facts of a fre-quency volume sensation in Lärmmeßgeräten by the fact that the occurring of the frequencies to be measured noise in the sound level meter to adapt to the human hearing organ with the help of various filters strongly attenuated.

Dichotisch

(Engl. dichotic; Dichotisch): Dichotisch refers to the condition of hearing the sound stimulus to the one ear is presented is different to the other ear offered.

  • Note: The charm may vary in relation to the sound pressure, frequency, phase (time), duration, the bandwidth, etc.
Differenzton

(Engl. difference tone; Differenzton): A Differenzton tone is a combination of frequency equal to the difference between the frequencies of two primary tones or its harmonics (see combination tone).

Diotisch

(Engl. diotic; Diotisch): Diotisch refers to the condition of hearing the sound stimulus to the one ear is fairly presented, is identical to that offered to the other ear.

throttling, partial masking

(Engl. partial masking; throttling): Under throttling (partial concealment) is the reduction in loudness of a sound by the presence of other Schälle.

transparency

(Engl. transparency, transparency): transparency is at Musikdarbeitungen the distinctness of temporary successive sounds and noises and simultaneously erklingende instruments and voices.

E

Echo

(Engl. echo; Echo): An echo is a reflection or in some other way (such as artificial) zurückkommende shaft with sufficiently large amplitude and delay, so that they separated (time, maybe even physically) from the shaft directly transferred to be exercised.

Efficient

(German efficiency, effectiveness):

  1. The effectiveness of a plant in terms of physical size, are either saved or transformed, is the relationship between the output of usable size and the total input.
  2. The effectiveness (eta) of a detector is the signal-to-energy noise ratio (SNR) of an ideal detector divided by the signal-to-noise ratio of the energy is in custody detector, if both detectors the same task to solve.
  • Note 1: Unless otherwise specified, the term refers to performance effectiveness (Power).
  • Note 2: A detector test, a person or another, decisions taken institution.
Eigenfrequency

(Engl. natural frequency; natural frequency): The natural frequency of a system is the frequency with which the system swing. For a system with multiple degrees of freedom are the natural frequencies normal modes of vibration.

Sensation

(English sensation; sensation): sensation is an element of the response from the influencing a stimulus to a sensory receptor results.

  • Note: A sensation size is the name of not unterteilbare elements (elements) of sensation on separately to be respected [NTG 1704]
Sensory level, above the threshold level

(English sensation level (SL); level above threshold; sensory level): The level of a sensation Schalles is always the sound pressure level in dB above the hearing threshold test of a single person or a specified group of test subjects.

Externalisation

(Engl. externalization; outsourcing): outsourcing is the perception, which is a subject allows for a sound event outside of the head and a sound source to identify.

  • Note 1: It is assumed that head movements and the resulting changes in the interauralen sound and the resulting phase differences allow this perception (see head-art stereo).
  • Note 2: by determining the position of appearing made sound source perception is called localization (see localization, auditory).

F

forward masking

(ger. Nachverdeckung): see also "masking".

Wrong alarm

(Engl. false alarm; false alarm): With a false alarm is the one event in a detection situation during a specified interval observation means in which to a "plain noise" stimulus (input) a "signal" response (output). A false alarm, for example, if the response event stimulus event shows even though there is no stimulus was necessary, P (S | n) see also hit, error, correct rejection.

Error

(Engl. miss; errors): With error is that in an event detection situation during a specified interval observation means in which to a "signal" stimulus (input) a "noise-only" response (output). An error, for example, if the response event no stimulus event shows even though a stimulus was necessary, P (N | s) see also hit, Wrong alarm, correct rejection.

filters, wave

(Engl. wave filter, filter).

  1. A (wave) filter is a transformer for the separation of waves on the basis of their frequency. It leads through relatively small losses in the leakage area of one or more frequency bands and relatively large for all other frequencies.
  2. Bandpaß filter (Engl. band-pass filter; Bandpaß filter). A Bandpaß filter is a (wave) filters with a single discount (band) which is a certain critical or (lower) limit will be greater than 0 Hz is up to a finite upper limit.
  3. Hochpaß filter (Engl. high-pass filter; Hochpaß filter). A Hochpaß filter is a (wave) filters with a single discount (band) which is a certain critical or (lower) limit will be greater than 0 Hz, to infiniten frequency.
  4. Low-filter (Engl. low-pass filter; low-filter). A low-filter is a (wave) filters with a single discount (band) which is from 0 Hz to a certain critical or (upper finite) frequency.
  • Note: A Multiple Bandpaß filter consists of two or more Bandpaß filters in parallel circuit.
Flatterecho

(Engl. flutter echo; Flatterecho): Flatterecho is a (periodic) Multiple Echo (see Echo).

frequency spectrum

(Frequency): The frequency of a periodic time is the function of the basic Reziprok period (see period). The unit of frequency is the Hertz (Hz).

  • Note: The Hertz is the vibration per second.
Frequency interval

(Engl. frequency interval; frequency interval): See interval.

Frequency group

(Engl. critical band; frequency Group): The group is the one frequency band within which the hearing in the formation of the sound volume intensity, in the formation of a sinus Mithörschwelle sound, the sound intensity interference added see Critical Band [NTG 1704].

Frequency group level

(English band critical level; frequency group level): The frequency group level is the sound pressure level of that sound share, in a certain frequency group falls [NTG 1704].

Frequency pitch

(Engl. frequency pitch; frequency pitch): The frequency pitch is a measure of the pitch. It is gained by a sine wave with a defined sound level using a frequency change on the same pitch as the sound set to be assessed [NTG 1704].

Frontalebene

(Engl. frontal plane; Frontalebene):

  1. The Frontalebene is a vertical level, the body in a front and a rear part divided. It is perpendicular to the horizontal plane (median level).
  2. The Frontalebene is a reference level, to describe the characteristics of the hearing is used. It is perpendicular to the horizontal plane and cuts the upper limits of the external auditory canals [NTG 1704].
Frontaleinfallendes free field

(Engl. front-incident free sound field; sound field, frontal): In a frontaleinfallenden, free sound field, the observer directly with the face of a single sound source with free progressive waves attention.

G

Hearing

(Engl. auditory system; hearing): The auditory system is an organ system that is listening. In humans, is generally a peripheral auditorisches system and a key distinction.

noise

(Engl. noise; noise): A noise is an irregular, intermittent or statistically random vibration. A noise can continue stable, unstable, or pulse.

When a noise is to DIN 1320 is a sound signal, which usually does not constitute a sound event characterized as Machinery and vehicle noise. From this definition, the random, disorderly nature of noise out because it is Tongemische, composed of many individual sounds together. The noise is therefore an audible signal with a number of frequencies, between which there is no a legal context, as example at the sound of the case. Even when there may be periodic noises operations individual tones emerge, through which a wide band marked noise overlaid share. Such individual tones increase the effect of noise interference and are therefore substantially in the measurement result by a so-called Tonzuschlag.

speed

(Engl. velocity, speed): Speed is a vector of temporal change of the geographic location of a particle in relation to a specified reference point. The amount of the vector is derived from the ratio of the previous path (Wegabschnitt) of a particle (linear movement) and the necessary time (period).

(changing the place) / (change of time) = (later position - former position) / Δ t
v = (f (t + Δ t) - f (t)) / (Δ t) is the average speed.

If the amount of the time constant speed (average), is the movement as a uniform. For a description of the instantaneous velocity (speed moment) a ungleichförmigen movement is the average speed to increasingly smaller time interval. If you go after 0 Delta, obtains:

v = lim (Δ t to 0) (f (t Δ t) - f (t)) / (Δ t)
  • Note: If the reference point trägheitslos, the speed often called the relative speed.
speed level

(Engl. velocity level; speed level): The speed level (in decibels) of a sound is 20 times the logarithm to the base 10 of the ratio of particles speed of sound to a reference-speed particles. The reference particles speed must be explicitly.

equal tempered scale

(Engl. equally tempered scale; equal tempered scale): An equal tempered scale is a musical scale, caused by the breakdown of the octave into a certain number (usually 12) equal intervals to distante (cents).

  • Note: the division follows a geometric series.
cutoff, rated, top, bottom

(Engl. nominal upper and lower cutoff frequencies; cutoff): The upper and lower (nominal) cut a filter Druchlaßbereiches (Paßband) are those frequencies above and below the maximum output frequency of a filter, where the output of a signal to sinusoidalen 3 dB below the maximum value.

fundamental frequency

(Engl. fundamental frequency; fundamental frequency): The fundamental frequency of a periodic size is the frequency of that component sinusoidalen the same period as the regular size.

H

I

K

L

M

N

neper

Neper (Np) (ger. Neper) is a unit used to express ratios, such as gain, loss, and relative values.

  • The neper is analogous to the decibel, except that the Naperian base e (2.718281828...) is used in computing the ratio in nepers.
  • The value in nepers, Np, is given by Np = ln(x1/x2), where x1 and x2 are the values of interest, and ln is the natural logarithm, i.e., logarithm to the base e.
  • One neper (Np) = 8.686 dB, where 8.686 = 20/(ln 10).
  • One dezibel (dB) = 0.1151 Np, where 0.1151 = ln(10)/20.
  • The neper is often used to express voltage and current ratios, whereas the decibel is usually used to express power ratios.
  • Np is a dimensionless unit (like dB).
  • The ITU recognizes both units.
nominal bandwidth

See bandwidth

O

R

reverberation

Reverberation (ger. Nachhall) is all sound due to reflexions measured in a closed system (room) after the sound source has stopped activity.

reverberation time

The reverberation time (ger. Nachhallzeit) is defined as the time needed the sound level reaches -60dB of average active sound level after stopping the sound source.

S

speech transmission index

Speech transmission index (ger. Sprachverständlichkeit) is a number between 0 an 1 representing the normal human ability to understand the contents of a spoken message based on sound properties. 0 represents a bad STI, 1 represents best STI. Derivates of the STI are RASTI (rapid speech transmission index) and STIPA (STI public address - a spezialized selection of representative data for public address applications).

T

U

V

W

Z

References

  • [ANSI] American National Standard Psychoacoustical Terminology (1973): ANSI S3.20-1973; Approved December 5, 1973; American National Standard Institute, Inc.
  • [YOST] Yost, William A. & Donald W. Nielsen (1977): Fundamentals of Hearing. An Introduction. Holt, Rinehart and Winston; New York.
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